All posts filed under: Sculpture

4 questions to Caroline Ha Thuc

Author of several books, « Contemporary Art in Hong Kong » (2013), « New Japanese contemporary art » (2012), or, more recently, « After 2000: contemporary art in China », (2015), French-born Caroline Ha Thuc is a Hong-Kong based writer and curator. She answers our questions about the new contemporary art scene in Asia. Moderneast Magazine: What is your view on the young or emergent creation in Asia: which assets does it have, how do you see its future both in Asia and in Europa? Caroline Ha Thuc: It is hard to talk in general about the emerging creation in Asia. Which Asia is concerned? Where should we begin? There no unified Asian art form. It is varied, diverse and even indefinable. Art overruns maps and borderlines and scrambles nationalities. The artists themselves increasingly claim to be artists from the world, and not from such or such country. To answer your question I guess artists from the region can generally benefit from a growing population of collectors, a boom in museums’ spaces (what we now call the “museumification” of China for …

Contemporary Chinese Artists at the Fondation LV

  From January to May 2016, the Fondation Louis Vuitton will be dedicated to the Chinese art scene through a blockbuster exhibition called “Bentu, Chinese artists in a time of turbulence and transformation“ which will bring together 12 relatively unknown artists from different generations. This exhibition, the first to be devoted to contemporary Chinese art in France in the past 10 years, and which has been created in collaboration with the Ullens Center in Pekin, will explore the different meanings of Bentu (native land, in Chinese), a notion which is today at the very heart of many Chinese artists’ creative process. It implies reflecting on history, geography, the relation to the land, as well as identity or individuality. She will also try to examine how China’s creative traditions are dealing with the ever-evolving world that consecrates new techniques of production or creation. The works which are showcased, stemming from the use of a wide range of medias and materials, are the best demonstration of the complexity that characterizes today’s Chinese artistic scene. According to the Fondation, “the choice of works does …